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³·¿¡ ÁßÀÇ ³ªÀÚAn image created by generative AI program Deep AI with the prompt, "Robot painters and human painters competing" [DEEP AI]


»ý¼ºÇü AI µöAI¿¡ ¡°·Îº¿ È­°¡¿Í Àΰ£ È­°¡ÀÇ °æÀÀ̶ó´Â ¸í·É¾î¸¦ ÀÔ·ÂÇØ ¸¸µç À̹ÌÁö. [µöAI]
Creator¡¯s dream or legal nightmare? AI revolution changes the game in Korea¡¯s webtoon industry
Korea JoongAng Daily 10¸é ±â»çThursday Çѱ¹ÀåÇÐÀç´Ü ´ëÃâ°ÅÀý , March 6, 2025
Korea led a revolution in the comics genre when in the early 2000s, authors switched from pen and paper to tablets and mobile screens, beginning the webtoon scene in an infi ¿ì¸®ÆÄÀ̳½¼Èä¿ë nite online space. Two decades later, webtoons stand at the forefront of the battle between human creativity and AI technology, in a space that may signal the biggest transformation in not just comics ½Å¿ëȸº¹À§¿øȸ ´ëÃâ ? but art as a whole.
infinite: ¹«ÇÑÇÑforefront: Áß½É, °¡Àå Áß¿äÇÑ À§Ä¡signal: ½ÅÈ£transformation: º¯È­
2000³â´ë ÃÊ Çѱ¹Àº ¸¸È­ À帣ÀÇ Çõ¸íÀ» ÁÖµµÇß´Ù. ÀÛ°¡µéÀÌ Ææ°ú Á¾À̸¦ ÅÂºí¸´°ú ¸ð¹ÙÀÏ È­¸é ÀÛ¾÷ ¹æ½ÄÀ» ÀüȯÇØ ¹«ÇÑÇÑ ¿Â¶óÀÎ °ø°£¿¡¼­ À¥Å÷ÀÌ ½ÃÀ۵Ǿú´Ù. °³ÀÎȸ»ý¼öÀÓ·á ±×¸®°í 20³âÀÌ Áö³­ Áö±Ý À¥Å÷Àº Àΰ£ÀÇ Ã¢ÀǼº°ú AI ±â¼ú »çÀÌ ¹ú¾îÁö´Â Ä¡¿­ÇÑ ÀüÀï Á߽ɿ¡ ¼­ ÀÖÀ¸¸ç ÀÌ´Â ´Ü¼øÈ÷ ¸¸È­¸¸ÀÌ ¾Æ´Ï¶ó ¿¹¼ú Àü¹Ý¿¡ °ÉÃÄ °¡Àå Å« º¯È­¸¦ ¾Ë¸®´Â ½ÅÈ£ÀÏÁöµµ ¸ð¸¥´Ù.
A genre born for the internet, bred by smartphone culture and sharpened by the r ¼­¹ÎÀü¼¼´ëÃâÁ¶°Ç ising popularity of video streaming platforms with audiences always yearning for a well-made story, webtoons provide a fertile environment for AI services to thrive.
sharpen: ´Ü·ÃÇÏ´Ù yearn for: °¥¸ÁÇÏ´Ù fertile: ºñ¿ÁÇÑ thrive: ¹øâÇÏ´Ù, ¼ºÀåÇÏ´Ù
ÀÎÅͳݿ¡¼­ ž ½º¸¶Æ®Æù ¹®È­°¡ Å°¿ì°í ¿Ï¼ºµµ ³ôÀº ½ºÅ丮¸¦ Ç×»ó °¥±¸ÇÏ´Â ¼ÒºñÀÚ°¡ ÀÖ´Â ½ºÆ®¸®¹Ö Ç÷§ÆûÀÇ Àαâ·Î ´Ü·ÃµÈ À帣´Ù. À¥Å÷Àº AI ¼­ºñ½º°¡ ¼ºÀåÇÒ ¼ö ÀÖ´Â ºñ¿ÁÇÑ Åä¾çÀ» Á¦°øÇÑ´Ù.
From simple illustrations to story writing and content piracy detection, a wider range of services have been popping up since the late 2010s from tech companies both big and small, as opposed to other culture sectors where the development or use of generative AI has been slow or experimental at best.
piracy: ÀúÀÛ±Ç Ä§ÇØ detection: °¨Áö experimental: ½ÇÇèÀûÀÎ at best: ±â²¯Çؾß
´Ü¼øÇÑ ÀÏ·¯½ºÆ®·¹À̼ǺÎÅÍ ½ºÅ丮 ÀÛ¼º, ÀúÀÛ±Ç Ä§ÇØ ºÒ¹ý ÄÜÅÙÆ® °¨Áö±îÁö, AI ±â¼úÀº 2010³â´ë ÈĹݺÎÅÍ ±Þ¼Óµµ·Î ¹ßÀüÇØ ´ë±â¾÷°ú ½ºÅ¸Æ®¾÷ ¸ðµÎ ´Ù¾çÇÑ ¼­ºñ½º¸¦ ½ñ¾Æ³Â´Ù. ÀÌ´Â ´Ù¸¥ ¹®È­ »ê¾÷¿¡¼± »ý¼ºÇü AI ±â¼úÀÇ ¹ßÀüÀ̳ª È°¿ëÀÌ ´õµð°Å³ª ±â²¯ÇØ¾ß ½ÇÇèÀûÀÎ ¼öÁØ¿¡ ¸Ó¹°·¯ ÀÖ´Â °Í°ú´Â ´ëÁ¶ÀûÀÌ´Ù.
But it¡¯s not entirely easy for the webtoon industry either. While there are tech companies developing newer, better AI services designed to assist human creators and webtoonists secretly using the tool to refine their work, conservative creators and consumers stand against the idea of allowing nonhumans to invade the artistic field.
entirely: ÀüÀûÀ¸·Î, Åë°·Î refine: °³¼±ÇÏ´Ùconservative: º¸¼öÀûÀÎ
ÇÏÁö¸¸ À¥Å÷ »ê¾÷À̶ó°í AI ±â¼úÀ» ´Ù ½±°Ô ¹Þ¾ÆµéÀÌ´Â °ÍÀº ¾Æ´Ï´Ù. Å×Å© ±â¾÷ Áß Àΰ£ âÀÛÀÚ¸¦ µ½±â À§ÇÑ »õ·Ó°í ´õ ³ªÀº AI ¼­ºñ½º¸¦ °³¹ßÇÏ´Â Å×Å© ±â¾÷µµ ÀÖ°í, À¥Å÷ ÀÛ°¡ Áß ÀϺδ ÀÛÇ° °³¼±¿¡ ¸ô·¡ AI¸¦ È°¿ëÇϱ⵵ ÇÑ´Ù. ÇÏÁö¸¸ º¸¼öÀûÀΠâÀÛÀÚ¿Í ¼ÒºñÀÚ´Â ºñÀΰ£ÀûÀÎ ¿ä¼Ò°¡ ¿¹¼ú ºÐ¾ß¸¦ ħ¹üÇÒ ¼ö ÀÖ´Ù´Â »ý°¢¿¡ °­ÇÑ ¹Ý°¨À» º¸ÀδÙ.
As the country¡¯s first AI law takes effect next year and social attitudes remain strongly against the idea of robot creation, society may be seeing the dawn of a longer, larger battle between humans and their new, intelligent competitor.
take effect: ½ÃÇàÇÏ´Ù see the dawn: ¼­±¤À» º¸´Ù, ½ÃÀÛÀ» ¸ñ°ÝÇÏ´Ù
Çѱ¹ ù AI °ü·Ã ¹ýÀÌ ³»³â ½ÃÇàµÇ°í AI âÀÛ¹°¿¡ ´ëÇÑ »çȸÀû °ÅºÎ°¨µµ ¿©ÀüÈ÷ °­ÇÑ »óȲ¿¡¼­ »çȸ´Â Àΰ£°ú »õ·Î ºÎ»óÇÑ Áö´ÉÀûÀÎ °æÀïÀÚ »çÀÌ ±æ°íµµ °Å´ëÇÑ ÀüÀïÀÇ ½ÃÀÛÀ» ¸ñ°ÝÇÏ°Ô µÉÁöµµ ¸ð¸¥´Ù.
The usage of AI tools in webtoons became a major trend during the Covid-19 pandemic when online content creation and consumption saw exponential growth due to social distancing guidelines that kept people bored at home.
consumption: ¼Òºñexponential: ±âÇϱ޼öÀûÀÎ, Æø¹ßÀûÀÎ
À¥Å÷ »ê¾÷¿¡¼­ AI µµ±¸ È°¿ëÀÌ °Å´ëÇÑ È帧À¸·Î º»°ÝÈ­ µÈ °ÍÀº »çȸÀû °Å¸®µÎ±â ÁöħÀ¸·Î »ç¶÷µéÀÌ Áý¿¡ °¤Çô Áö·çÇØ Çϸ鼭 ¿Â¶óÀÎ ÄÜÅÙÆ® Á¦ÀÛ°ú ¼Òºñ°¡ Æø¹ßÀûÀ¸·Î Áõ°¡ÇÑ Äڷγª19 À¯Çິ ½Ã±â¿´´Ù.
WRITTEN BY YOON SO-YEON AND TRANSLATED BY YIM SEUNG-HYE [yoon.soyeon@joongang.co.kr, yim.seunghye@joongang.co.kr]



 
   

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